Mika Horie
Silent in the Morning, 2019
Cyanotype on handmade Japanese gampi paper
11 1/2 x 16 in
29.2 x 40.6 cm
29.2 x 40.6 cm
Edition 8 of 10
Horie Mika is a Japanese photographic artist who focuses on creating cyanotypes on paper made by herself. Trees, water and light are the main elements that Horie uses to create...
Horie Mika is a Japanese photographic artist who focuses on creating cyanotypes on paper made by herself. Trees, water and light are the main elements that Horie uses to create her artworks.
Horie lives in Yamanaka Onsen, Kaga, Ishikawa prefecture, in a Meiji-era farmhouse and studio in the mountains. After the snow melts in spring, Horie drives up narrow winding roads into the mountains to fill her car with gampi branches—the raw material to make traditional paper. Horie processes the gampi fibers fully by hand into delicate-looking but sturdy paper, which is the material on which she prints cyanotype images of the landscapes, foliage, nearly-forgotten villages and objects in or around her home.
Horie’s photographic process is nearly as natural and time-consuming as her paper making. After having photographed her natural surroundings, Horie treats her paper with ferric ammonium citrate and potassium ferricyanide, places the negatives directly on top of the paper and allows the sun to expose them to shades of cyan and deep indigo. She then washes the paper with spring water to fixate the image and lets the art work dry in the wind.
Horie lives in Yamanaka Onsen, Kaga, Ishikawa prefecture, in a Meiji-era farmhouse and studio in the mountains. After the snow melts in spring, Horie drives up narrow winding roads into the mountains to fill her car with gampi branches—the raw material to make traditional paper. Horie processes the gampi fibers fully by hand into delicate-looking but sturdy paper, which is the material on which she prints cyanotype images of the landscapes, foliage, nearly-forgotten villages and objects in or around her home.
Horie’s photographic process is nearly as natural and time-consuming as her paper making. After having photographed her natural surroundings, Horie treats her paper with ferric ammonium citrate and potassium ferricyanide, places the negatives directly on top of the paper and allows the sun to expose them to shades of cyan and deep indigo. She then washes the paper with spring water to fixate the image and lets the art work dry in the wind.
