Photography has been mixed-media artist John Brinton Hogan’s mainstay since he picked up a camera in his early twenties. He long focused on straight photography recording the western landscape, but since 2013 Hogan has radically expanded his work through the incorporation of glitter, as well as the digital manipulation of the personal archive of photographs he has taken through the years. This new process has resulted in distorted photographic landscapes featuring iridescent silhouettes of finite human figures set against vast natural vistas.
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